Champions #10 Champions #10 - Written by Danny Lore. Art by Luciano Vecchio. Cover by Toni Infante.

THE FINALE OF KILLER APP!

The Champions win a major victory over Roxxon - only to discover a much deadlier threat waiting in the wings!

Can they win against vicious machines engineered to predict their every move?

Or is it the end of the line for our young heroes?

Rated T+ - 32 pgs./$3.99 - On Sale October 6th


Marvel's Voices: Comunidades #1 Marvel's Voices: Comunidades #1 - Written by Daniel Jose Older, Karla Pacheco, Terry Blas, Juan Ponce, Leonardo Romero & Edgar Delgado. Art by Enid Balam, Vanesa del Rey, Adriana Melo, Leonardo Romero, Nico Leon & Alitha E. Martinez. Cover by Joe Quesada.

COME JOIN THE FESTIVITIES AS MARVEL CELEBRATES THE MIGHTY LATIN-X HEROES AND CREATORS FROM ALL CORNERS OF THE MARVEL UNIVERSE!

Spider-Man! White Tiger! Ghost Rider! And so many more heroes get their moment in the sun as new and fan-favorite creators continue to expand the world outside your window in MARVEL'S VOICES: COMUNIDADES (Community)!

Featuring an introduction by renowned scholar Frederick Luis Aldama! PLUS, an all-new hero takes the stage in a whirlwind adventure you won't want to miss.

Rated T+ - 96 pgs./$9.99 - On Sale November 10th


Guardians of the Galaxy #18 Guardians of the Galaxy by Al Ewing Vol. 3: We're Super Heroes TPB - Written by Al Ewing. Art by Juann Cabal & Juan Frigeri. Cover by Brett Booth.

A new age of space starts here!

They were soldiers, misfits, mercenaries, thieves and a family. They were heroes - but times have changed.

The galaxy no longer needs heroes. It needs super heroes!

Now when the call goes forth - whether it's from a stranded team of planetary explorers or Emperor Hulkling himself - the Guardians of the Galaxy answer!

As half the team defends the Kree/Skrull Throneworld against a deadlier threat than they've ever faced before, the other half investigates a terrifying sacrificial cult on a mysterious planet - with the power to plunge the universe into war!

New headquarters! New costumes! New teammates! An all-new enemy you'll have to see to believe! And a whole cosmos of trouble!

Get on board, True Believer - it's going to be the ride of your life!

Collecting GUARDIANS OF THE GALAXY (2020) #13-18.

Rated T+ - 144 pgs./$17.99 - On Sale November 17th

An Interview With Scott Kolins!
A Nova Prime Page Exclusive

In celebration of the release of Annihilation: Prologue, artist Scott Kolins generously took some time to answer some questions about the cosmic event and Nova's new uniform! I'd like to thank Scott for the interview and for sharing his artwork!

Where did you train to become an artist and how did you start in comics?

I studied under Dennis Jensen, Kim Demulder, Bart Sears and went to the Kubert School for 2 years. I was first hired by Valiant comics (though nothing came of it) and then drew The Jaguar Annual #1(Impact/DC). I then was accepted to be a Romita Raider at Marvel comics (in house art corrections under John Romita Sr.) and then went full time freelance penciler after that. I've been working at drawing and comics since I was about 10.

How did you become involved in the Annihilation project?

Andy Schmidt called and asked me. I read the script and joined up. I was very excited to work with Keith Giffen.

What was the creative process that went into the designs for Xandar and the Nova Corps' uniforms?

I was told that Nova Corp had changed/updated from the Rider uniform and was asked to draw up some new versions. The second version I drew (dubbed around the office as the football version) was chosen. The rest of the ships and such (besides the few Annihilus ships designed by Giffen/Olivetti) were just me filling up the pages with the best stuff I could think of. My sci-fi tech is somewhere in between Star Wars and Star Trek.

How does the writer/artist dynamic work between Keith Giffen and yourself for this project? Does Keith's experience as a fellow artist help the process?

I asked Keith to do breakdowns to help me with this monster. There were so many characters and so much happening initially, I need some help putting it in storytelling perspective. Although I changed his layouts a lot as I went, it helped me keep everything organized. Keith's great to work with. Very straight-forward - no B.S.

Given the large amount of action sequences in the 'Annihilation: Prologue', how do you, as a storyteller, approach your layouts for those scenes?

Same as always, what's need to convey what's happening. In this case it was a lot of stuff. Tons of ships, many different locales, scads of Nova's and more ships. Oh and lots of destruction! I would needed a few more weeks to choreograph everything and keep it straight in my head -if Keith hadn't provided those breakdowns. I spent a lot of time on those pages. I wanted to get everything in there I could fit - it was such a large scale story.

What other ongoing and future projects can we be looking forward to?

My next thing is a book called "Beyond". It's a random group of Heroes and Villains thrown together to see who'll survive. Little bit of T.V.'s "Lost" and some Secret Wars to set the stage. Bucket loads of fun. I think it'll be out in June or July.


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